Author Index

B

  • Bicharanlou, Abdollah The Image of Iranian Women in European Televisions; a Case Study of TV Documentaries [Volume 6, Issue 2, 2014, Pages 239-262]

F

  • Faghihi, Hoseine A sociological critique of the womens capitals in the story ofTahmineh by Muhammad Muhammad Ali based on " varieties of capitals " idea by Pierre Bourdieu [Volume 6, Issue 1, 2014, Pages 23-41]
  • Fazeli, Nematallah A sociological critique of the womens capitals in the story ofTahmineh by Muhammad Muhammad Ali based on " varieties of capitals " idea by Pierre Bourdieu [Volume 6, Issue 1, 2014, Pages 23-41]

G

  • Golmoradi, Sadaf A sociological critique of the womens capitals in the story ofTahmineh by Muhammad Muhammad Ali based on " varieties of capitals " idea by Pierre Bourdieu [Volume 6, Issue 1, 2014, Pages 23-41]
  • Gorgi, Mostafa A study of Social Under Classes in R.Parivizi`s Works [Volume 6, Issue 1, 2014, Pages 1-21]

H

  • Haghighi, Marzieh Carnival Humorous and Its Reflection in Bahram Sadeggi Stories [Volume 6, Issue 1, 2014, Pages 65-89]
  • Hashemi, Rahele Critique of the relationship between academic capital and artistic habitus [Volume 6, Issue 2, 2014, Pages 165-186]

I

  • Izadi-jeiran, Asghar Sensory Perception and Cultural Values in the Art of Pardeh-Xani [Volume 6, Issue 1, 2014, Pages 115-138]

J

  • Jazaee, Mohadese The monophony in Iranian society and its reflects in Blind Owl [Volume 6, Issue 2, 2014, Pages 287-307]

K

  • Keshavarz, Muhammad A study of Social Under Classes in R.Parivizi`s Works [Volume 6, Issue 1, 2014, Pages 1-21]
  • Khalili, Ahmad Discourse Analysis Postmodern poem in iran [Volume 6, Issue 2, 2014, Pages 263-285]

M

  • Maghsoodi, Soodeh Concepts of elegy in Bakhtiari People with an emphasis on the content analysis of Gagerive [Volume 6, Issue 2, 2014, Pages 309-329]

N

  • Najafzadeh, Mehdi The monophony in Iranian society and its reflects in Blind Owl [Volume 6, Issue 2, 2014, Pages 287-307]
  • Navah, Abdalreza survey of Gender stereotypes in Aleahmad's short stories [Volume 6, Issue 1, 2014, Pages 43-63]

P

  • Pirooz, Golamreza Carnival Humorous and Its Reflection in Bahram Sadeggi Stories [Volume 6, Issue 1, 2014, Pages 65-89]

R

  • Ravadrad, Azam The representation of challenges between tradition and modernity in "As Simple as That" [Volume 6, Issue 2, 2014, Pages 213-238]
  • Rezaei, marziyeh feminine non sexual agency among stractural contrast:The Construction of Femininity in Rakhshan Bani Etemad’s Cinema [Volume 6, Issue 1, 2014, Pages 91-113]
  • Rezvanian, Ghodsieh Discourse Analysis Postmodern poem in iran [Volume 6, Issue 2, 2014, Pages 263-285]

S

  • Salari, Maryam Critique of the relationship between academic capital and artistic habitus [Volume 6, Issue 2, 2014, Pages 165-186]
  • Salehi, Soodabe The current state of conceptual clothing in Iran From the perspective of the participating Artists (1380s) [Volume 6, Issue 1, 2014, Pages 139-164]
  • Shariati, Sara Critique of the relationship between academic capital and artistic habitus [Volume 6, Issue 2, 2014, Pages 165-186]
  • Shirmardi, Pejman Concepts of elegy in Bakhtiari People with an emphasis on the content analysis of Gagerive [Volume 6, Issue 2, 2014, Pages 309-329]
  • Sojoodi, Farzan Visual gender ideology in the works of male and female painters in the last six decades in Iran [Volume 6, Issue 2, 2014, Pages 187-211]
  • Soltani, Seyed Ali Asghar The representation of challenges between tradition and modernity in "As Simple as That" [Volume 6, Issue 2, 2014, Pages 213-238]
  • Soozankar, Marjane The representation of challenges between tradition and modernity in "As Simple as That" [Volume 6, Issue 2, 2014, Pages 213-238]

T

  • Tabatabaie Yazdi, Leila Visual gender ideology in the works of male and female painters in the last six decades in Iran [Volume 6, Issue 2, 2014, Pages 187-211]

Y

  • Yasini, Seyedeh Razieh The Image of Iranian Women in European Televisions; a Case Study of TV Documentaries [Volume 6, Issue 2, 2014, Pages 239-262]

Z

  • Zare, Bizhan The current state of conceptual clothing in Iran From the perspective of the participating Artists (1380s) [Volume 6, Issue 1, 2014, Pages 139-164]